Setting aside the usual arguments on the anti- and pro-AI art debate and the nature of creativity itself, perhaps the negative reaction that the Redditor encountered is part of a sea change in opinion among many people that think corporate AI platforms are exploitive and extractive in nature because their datasets rely on copyrighted material without the original artists’ permission. And that’s without getting into AI’s negative drag on the environment.
I appreciate that you taken time to explain the technical aspects into what generative AI is processing under the hood, but the reality is that no amount of programming will ever be able to recreate the uniqueness and infinite variability of human creativity, emotion, imagination or consciousness. There is an immeasurable difference between true creativity and producing variations on a data set. I say this as both an artist and a programmer. I’m not just talking out of my ass.
I agree with you that a goal of art is to express ideas and that there’s are a lot of people in the art world that fetishize art in to being something more important than it is in certain contexts, but art is also a core component and something unique to humanity(and sometimes even to other species.) In that way, it’s something to be cherish and regarded - and throughout history it has been extremely culturally significant. Trying to translate these concepts into an algorithm, in my mind, nothing but an extremely arrogant waste of effort and time. Why not spend your time automating the boring shit no one wants to do rather than the creative things people actually enjoy doing?
I am not gatekeeping. I am just stating simple facts. I find it offensive and demeaning that you are devaluing the immense amount of effort that artists undergo to hone their crafts and produce art. You’re damn right it’s work - if you want to get proficient at something, that’s what it takes. I don’t care how boomer-ey that sounds. Yes, some artists have natural talent and don’t need as much effort as others. But, nonetheless, effort is required to create. Anyone can create art, not just some elite select few. But, not everyone can create art that is universally recognized as great or masterful, and it’s not a problem that need to be solved by technology. Unfortunately, art is subjective, so not everything one creates is perceived the same. That’s why some are more successful than others. You may argue that AI levels the playing field, but the fact is that it leverages the work of “successful” artists or artworks, and generates results that are perceived as successful or appealing as a result. It’s a shortcut. You are bypassing the effort otherwise needed by using a tool, which allows most users to to be totally ignorant of the basic knowledge required to create an art work - shape language, color theory, composition, lighting, appeal, posing, etc.
Entering a prompt into an AI model is akin to directing, producing or acting as a muse. It’s a very similar argument as to the validity or artistic merits of factory artists like Andy Warhol or Jeff Koons - While you are responsible for the idea that produces a result, you are still relying on the work and effort of not only the numerous team of people creating the AI model and its algorithms , but also the immeasurable amount of man-hours and creativity involved in creating the source content for the model training materials.
It’s one thing to use generative AI as tool, with intent to make use of the output as reference for your own work in a larger context. But to take the direct output and call it art is morally and ethically wrong. In my eyes, it makes you look like a total hack who doesn’t want to put the effort in to make things for themselves…no matter how much time you put into coming up with the prompt for the output.
I still stand by my original arguments - coming up with a prompt or a training data set to create an image is not art, because you are not actively involved with the creation of the imagery, itself. What an AI model generates is not a creative work and it is not your creation. If that is offensive to you, there’s nothing I can do about that, because it’s apparent that your arguments only serve to make yourself feel better about using generative AI.
It’s also apparent that you have an extremely skewed view of what art is and what it means to be an artist. Art, at its base level is about expressing HUMAN creativity, not what an algorithm interprets it to be. It’s about making countless, specific choices for each step of the creative process and having complete control of the final outcome. It’s those choices that make your art truly unique and an expression of your creative vision. It doesn’t matter if it is objectively bad or good, just that it came from you, and that every detail, every color, every line, was your choice, not an interpretation of your words.
Unless you are creating your own AI model from scratch and training it purely on your own artworks, I don’t see how you can, in good conscience, claim the results to be your own.
Any one can create art, but an artist is someone who dedicates themselves to their craft, as with any other craftsman. That passion is what separates an artisan from a hobbyist. You may view this as snobbery, but I view it as respect and honoring a tradition that spans all of human kind, back to the earliest cave paintings tens of thousands of years ago. I know my limits and what I’m capable of and I have come to terms with those deficiencies in my work. I’m not delusional enough to think that by generating an image through AI, it somehow makes up for those shortcomings and makes me into something I am not.
Did you create all the textures you put onto your 3d models? Did you use substance painter? Any sort of asset library? If you’re working in 2d, did you create your own brush textures?
Did you create colour and perspective theory from scratch? If not, how can you call yourself a painter?
Did Duchamp study the manufacture of ceramics before putting a factory-made urinal on a pedestal and called it a piece of art?
Wow, nice rhetorical questions you got there, bud.
What the fuck do you think?
If you had enough reading comprehension and read through my whole response, you would have got to the part where I said creating art is about the culmination of choices you make in each part of the process.
Maybe you can point it out to me, but I don’t recall the part where I said you have to recreate the fucking wheel every time you create something.
That particular quote you pointed out, was specific to generative AI, because you don’t make those same choices. The model and the training data is what produces those results for you.
But since you asked, yes I do have the knowledge to create textures by hand without Substance Painter. I’ve been doing 3d art since 2003, before that shit even existed and we hand to do it all manually in Photoshop.
No, I didn’t fucking create color and perspective theory. What do you think I am… like a fucking immortal from ancient times? But I did have to learn that shit and took multiple classes dedicated to each of those topics.
Lastly, you must have skipped on your art history for the last one, because the whole concept of that particular piece was that it was absurdist - an every day object raised to status of art by the artist. He didn’t fucking sculpt the urinal himself. So it would have been more appropriate to say he was a janitor that got lucky. Nice try, though.
And for a photographer, their surroundings is what produces many results, leading them to not make choices about those things. They focus on other things, don’t express themselves in the arrangement of leaves on a tree, leave that stuff to chance.
The important part is not that choices are made for you, but that you do make, at the very least, a choice. One single choice suffices to have intent. It is not even necessary to make that choice during the creation of the piece, splattering five buckets of paint onto five canvases and choosing the one that sparks the right impression a choice.
Yes, precisely. That one concept, the single choice, “yep a urinal should be both provocative and banal enough”, is what made it art.
There is no minimum level of craft necessary for art.
Ah, very interesting that you want to focus on photography as a comparison. To me, this just infers that you are not familiar with the type of choices that photographers do make, creatively. Just because they have endless amounts of subject matter readily available at their disposal, does not make the process any easier or different than other types of art.
Photographers still consider composition, lighting, area of focus, color, etc. Along with a large amount of other factors such as camera body, filmback, lens, fstop, iso, flash, supplemental lighting, post-processing, the list goes on.
Again, all of these choices are actively made when creating the work - using one’s critical thinking, decision making, experience and knowledge to inform each choice and how it will affect the outcome.
Generative AI is not that and will never be that, no matter how much you argue otherwise. You are entering a prompt, the model is interpreting that and generating a result that it calculates to be most statistically accurate. Your choice of words are not artistic choices, they are at most, requests or instructions. If you iterate, you are not in control of what changes. You only find out what has changed after the result has been generated.
Again, you are totally missing the point to the Fountain and using it as a false equivalence. It was made as a critique of the art world, to show the absurdity of what art critics said was valid art at the time. Whereas today, generative AI is not being made as a critique to anything. It’s being made for profit, to replaced skilled labor and using the work of the same people it’s trying to replace. Hopefully you can see how the two are different.
If you think that’s the case then you don’t understand the medium. Once you’ve explored a model, seen into its mind, understand how it understands things, you can direct it quite precisely. At least as precisely as a photographer taking a picture of a tree – yes, if you care about the arrangement of leaves then it might take a couple of tries until the wind moves them just right but you’ve made a point of going to the right tree, in the right season, on a day with the right weather, at a time with the right light.
I’m not claiming that. There’s an incidental artistry in the sense that now some progressives have their underwear in a twist just as conservatives had theirs in a twist about Fountain but I’ll readily grant that there was no human intent behind it. Sometimes it’s not artists who troll people but the general machinations of the world. Still worthy of appreciation but calling it “art” is not a hill I would die on.
What I’m claiming is that you can’t judge art by the level of craft involved: It can be zero and still be art. Any argument involving craft is literally missing the point of what art is.
The goal here isn’t to replace human uniqueness, creativity, emotion, imagination, or consciousness, but to give people a robust tool to help them explore concepts and express themselves.
If it allows people to more effectively communicate, express themselves, learn, and come together, it’s worth the trouble. The more people can participate in these conversations, the more we can all learn.
You are putting words in my mouth. I never devalued anyone’s work, unless you read that when I said I don’t think pieces that take more work or skill aren’t inherently worth more than those that were easier to produce. Is it even possible for there to be shortcuts in art? It’s harder to erase a line and fix it on canvas than it is to draw an incorrect one and just resize it. Let’s not even talk about things like shrinking a whole head to make it fit. Where in the gradient from canvas to AI does creating become cheating?
That reminds me of a quote from over a hundred years ago:
― Charles Baudelaire, On Photography, from The Salon of 1859
It sounds a lot like what you’re trying to say.
This can be said of many tools, from graphics rendering engines and art software to mass-produced pigments and tools. It took us 100,000 years to get from cave drawings to Leonard Da Vinci. This is just another step for artists, like Camera Obscura was in the past. It’s important to remember that early man was as smart as we are, they just lacked the interconnectivity and tools that we get.
This is just personal option. And I never felt bad about using it in the first place. It feels like you’re projecting your own feelings onto me.
It is still a human making generative art, and they use their emotions and learned experiences to guide the creation of works. You should familiarize yourself with all the different forms of guidance available with generative art. I think you’ll be pleasantly surprised.
This is a no-true-scotsman fallacy, you’re attempting to narrowly define artists to serve your needs, when no definition of “true artists” has ever existed. The rest of this is personal perspective that you shouldn’t force onto others. Let them create how they want, and in time, I think we’ll all come to benefit from their labors.